Family violence through a child’s eyes

The creative team: Vincent Lamberti, Jill Brodie, Lisa Albert, and Anna McGirr (Anna McGirr)

Afraa Kori

A new documentary from Kingsville husband and wife Vincent Lamberti and Lisa Albert is striving to shed light on the impact of family violence on children.

Revealed: KillJoy , now streaming on Stan, was directed by Lamberti and produced by Albert. It tells the story of a mother’s death, a community’s silence and a child’s journey to understand how the law allowed them to live with their father who killed their mother.

Lamberti said KillJoy offered the unique view of family violence from the perspective of a child.

“It really privileges the point of view of the child in the story and that doesn’t get enough attention and hasn’t in the past,” he said.

“It’s also understood by organisations like Our Watch for example now, that the next big push in understanding family violence is to understand it from the child’s perspective. The child [Kathryn Joy] in this case is now an adult of almost 40 years old, but Killjoy tells their story from the earliest age of consciousness that they had and how the story of their mother’s killing sort of changed over time as they became older and understood more. There was so much that was kept from them and as they gleaned more and more information, that story grew, morphed and developed.”

The film also challenges the stereotypes and misconceptions society has about family violence.

“There’s a sense, even today amongst a significant section of the community that feel like ‘his crime in killing her was not as great because she was having an affair’ and I think Killjoy challenges that,” Lamberti said.

“It also challenges the blind belief we tend to have that the law will be just and our beliefs about what justice looks like.

The notion that the best thing to do for children is to protect them by not talking about stuff, I think the film really really smashes that one.

“When we see people are suffering from family violence or any trauma, we don’t know how to deal with it. But just be able to offer a space where people are able to talk about it and feel acknowledged. You don’t have to fix it because most of us don’t have the skill to do that, but that’s what therapists and social workers are for, even other people with skills.”

Lamberti said Killjoy offers men a powerful learning tool to understand the unique challenges women face.

“I learned a lot about gender issues through making the documentary and that’s something that I’m thankful for,” he said.

“There are things I don’t fully understand because I haven’t obviously experienced it, but I came to understand how women and girls can feel more insecurity and sense of danger in the world, than men.

“There are things men take for granted, like walking down a street at night. I might be aware of my surroundings because that’s how I am and I’ll be aware of any dangers but generally I don’t have to feel like that is a dangerous thing to do. I think a lot of women and girls do and that’s terrible.

“So those things I came to understand much better and how men can feel like sort of casual sexism and how that can have an impact even though it’s not intended to necessarily it still does and there’s no excuse for it.”

Lamberti said Killjoy has also resonated with many women, directly or indirectly affected by family violence.

“People have said you rarely see older women getting an opportunity to speak. There’s been a number of people who said I just couldn’t believe what I was watching and it took me a day or two before I could message you or email you about it because it was just so emotionally affecting.

“I don’t think many people get through without crying, which it’s not necessarily our aim.

“At the beginning of this project I really wanted to give the audience a sense of Kathryn’s experience, even though we can’t really know what that’s like. I wanted to give as much as I possibly could as a film can manage of Kathryn’s experience viscerally, to actually feel it emotionally and physically because it’s through emotional engagement that we change, that our brains and minds change.

“While it’s important to raise awareness on family violence, we want to inspire action. There’s a whole impact campaign that will be built on the back of this film and is already happening. “Kathryn is really passionate about establishing a peer group support network for people like themselves who have been bereaved by domestic homicide.”

After watching Killjoy, Yarraville’s Tristram Williams said it changed the narrative that trauma is not the event but its distortion.

“In reflecting on my own life, it made me think of how fortunate I am! I think KillJoy’s power is in its beauty; the story is obviously one of tremendous pain and grief, but it is told in such a way that you are always drawn in. And its focus is always on the human, on Kathryn’s journey . The story is somehow universal despite its specific horror: the story of trauma and recovery,” he said.

“The film shows how trauma can ripple through an individual and a community and continue to be felt for many years. But it is also a film about hope and recovery and coming to terms with one’s past.”